Artist Way, October 12, 2007

by Friday, October 12, 2007

 

Artist Way, October 12, 2007
A snippet from my morning pages during my 2007 Artist Way stint:

"Well, dreams dreams dreams. Nutty, hugely real, eclectic dreams. Of the three I remember from last night, this morning's was the closest to "reality".

I dreamt I was teaching some huge classes at some three-story hippie-facility--live/work, woo-woo decor--and this woman kept on getting in my way. She would turnup the music when a student was talking, used some weird stereo that was hard for me to reach for myself, picking the wrong music, turning it up way too loud. Come to this of it, I think everything she did was somehow tied to controlling the music! Funny since we are in the middle of making a big old music compilation DVD for the troupe. But I don't feel particularly at odds with this project, so I think the dream has larger ramifications...

Anywho, the woman has to leave for some school thing, my classes have gotten smaller and smaller as students have left in annoyance from this woman's antics. I decide to re-group and move my class to a different space within the facility: smaller, better acoustics, etc. I grab a boom box and we gather. I am sitting and go to stand up to review the combo I am teaching, and I fall back down very dizzy. I try to get up again, and fall down, and the whole room spins. I lay there for a bit, feeling foolish and like I am wasting so much of the students' time! I try to slowly come to my feet, and fall a third time.

Then it comes to me--gravity has reversed for me! Which of course makes no sense, and I am far too casual about it. I demonstrate to my students how if I stand on my hands and let go of whatever I am hanging on to, I begin to slide toward the ceiling. My students nod in a mix of amazement and concern. "Could it be this place?" we muse. Is this hippie hang-out some mystical convergence zone? Interestingly, when I sit or lay down and I am fine. It's only when I try to stand up like I usually do that I get dizzy and fall down."

Conscious Evolution

by Wednesday, September 19, 2007


I am fairly certain that most people would agree that evolution is rarely a conscious process. Particularly in art. We definitely try to push our limits, learn new things, and "grow", but I think in art, as in life, "growth" and "evolution" are two different processes. The former is a shorter term experience, fairly easily quantified and observed both by yourself and others. The results are gross...less in the details. Evolution tends to be more subtle and over a much longer period of time. It is more about the essence of a thing.
I am finding that right now, I am becoming conscious of an evolution of my dance self (and without getting too deep, also some very personal parts of my being as well). Something in my core beliefs...my essence...is shifting. I have never "seen" this happen before. It was always something happening under the surface, beyond my notice, and over years. This evolution is occurring very swiftly--in the last 8-10 months--and in the front of my consciousness. I am finding myself taking notice of it, and making quite deliberate choices to facilitate it.


The thing with being a teacher is that you end up taking a lot of other people along on this evolutionary journey. I can't just change on a whim, like some dancers might be able to, especially soloists--what freedom they have! Enviable! Instead, I have a heavy responsibility for consistency and clarity in my dance, which goes far beyond myself. So there is a fair amount of consideration and creative practice that I have to do on my own, and keep it separate and pure from my student experience, until I am certain it is something I want to really plow ahead with. That means I am spending about 7 hours a week using my mental and creative energy trying to keep things the "old way" (familiar way) while I what remains of my mental and creative energy trying to honor this evolution that is knock-knock-knocking on my being. I feel pulled two or more directions, and unable to fully commit myself to either because of uncertainty and this flowing feeling of "mustchangemustchangemustchange".

I am not even sure I can articulate all the ways I want things to change. Luckily I have found some tools within myself this year to being able to communicate some *energetic* changes I wanted to see in my and my students' dancing, and it was very effective. Now I want to keep it moving, and to change vocabulary to fit. Another "issue" is Renee (*waving*). My decisions are also not entirely my own in this regard. If I didn't have a co-director, I would make sweeping changes right now based solely on my personal choices and considerations. But I have to run these ideas past Renee, and we sometimes (event often?) have very different approaches to such things. That in itself is a blessing and a curse--to be able to have another pair of critical eyes, but at the same time not being able to just "go" when my heart says "it's time to change/alter/move"... I wouldn't trade it for the world--we have an awesome partnership. With all the ups and downs, it is a beautiful thing in my life, my collaborations with Renee. But that is one of the challenges for me creatively--it is another restriction I have to work with. A somewhat externally imposed structure for me has been good so far--keeps me grounded--so I roll with it.

I am really looking forward to the General Skills Intensive. Frankly, a lot of my current evolutionary impulses are popping like popcorn when I look at FatChance. I have always been an admirer, but I am finding my personal aesthetics and creative desires are more in line with theirs all the time. Do I want to go ATS? Not in a million years. The philosophy of the format is not in line with my spirit. But I would gladly adopt a direction more in line with their aesthetics, and have been slowly adding some bits and pieces in essence and in vocabulary throughout 2007 as a direct result of this personal evolution I have been experiencing. I am looking forward to Renee and I getting to explore the details of FC's style together, in a true "intensive" where we get to examine the vocabulary up close, from the source. I am hoping that she will feel some of what I have been feeling about this format this year, and there will be some freedom to continue to incorporate some of that "look and feel" into our collective style. If not, then that part of my evolution will have to slow down a bit...for now...


In other news, watch for a couple of exciting collaborations this spring--inFusion will be teaming up with some fabulously talented dancers from other troupes for a couple of major events in 08. What could it be....? Stay tuned!

Conscious Evolution

by Wednesday, September 19, 2007
I am fairly certain that most people would agree that evolution is rarely a conscious process. Particularly in art. We definitely try to push our limits, learn new things, and "grow", but I think in art, as in life, "growth" and "evolution" are two different processes. The former is a shorter term experience, fairly easily quantified and observed both by yourself and others. The results are gross...less in the details. Evolution tends to be more subtle and over a much longer period of time. It is more about the essence of a thing.

I am finding that right now, I am becoming conscious of an evolution of my dance self (and without getting too deep, also some very personal parts of my being as well). Something in my core beliefs...my essence...is shifting. I have never "seen" this happen before. It was always something happening under the surface, beyond my notice, and over years. This evolution is occurring very swiftly--in the last 8-10 months--and in the front of my consciousness. I am finding myself taking notice of it, and making quite deliberate choices to facilitate it.

More ramblings about dance and change n' stuff after the cut...


The thing with being a teacher is that you end up taking a lot of other people along on this evolutionary journey. I can't just change on a whim, like some dancers might be able to, especially soloists--what freedom they have! Enviable! Instead, I have a heavy responsibility for consistency and clarity in my dance, which goes far beyond myself. So there is a fair amount of consideration and creative practice that I have to do on my own, and keep it separate and pure from my student experience, until I am certain it is something I want to really plow ahead with. That means I am spending about 7 hours a week using my mental and creative energy trying to keep things the "old way" (familiar way) while I what remains of my mental and creative energy trying to honor this evolution that is knock-knock-knocking on my being. I feel pulled two or more directions, and unable to fully commit myself to either because of uncertainty and this flowing feeling of "mustchangemustchangemustchange".

I am not even sure I can articulate all the ways I want things to change. Luckily I have found some tools within myself this year to being able to communicate some *energetic* changes I wanted to see in my and my students' dancing, and it was very effective. Now I want to keep it moving, and to change vocabulary to fit. Another "issue" is Renee (*waving*). My decisions are also not entirely my own in this regard. If I didn't have a co-director, I would make sweeping changes right now based solely on my personal choices and considerations. But I have to run these ideas past Renee, and we sometimes (event often?) have very different approaches to such things. That in itself is a blessing and a curse--to be able to have another pair of critical eyes, but at the same time not being able to just "go" when my heart says "it's time to change/alter/move"... I wouldn't trade it for the world--we have an awesome partnership. With all the ups and downs, it is a beautiful thing in my life, my collaborations with Renee. But that is one of the challenges for me creatively--it is another restriction I have to work with. A somewhat externally imposed structure for me has been good so far--keeps me grounded--so I roll with it.

I am really looking forward to the General Skills Intensive. Frankly, a lot of my current evolutionary impulses are popping like popcorn when I look at FatChance. I have always been an admirer, but I am finding my personal aesthetics and creative desires are more in line with theirs all the time. Do I want to go ATS? Not in a million years. The philosophy of the format is not in line with my spirit. But I would gladly adopt a direction more in line with their aesthetics, and have been slowly adding some bits and pieces in essence and in vocabulary throughout 2007 as a direct result of this personal evolution I have been experiencing. I am looking forward to Renee and I getting to explore the details of FC's style together, in a true "intensive" where we get to examine the vocabulary up close, from the source. I am hoping that she will feel some of what I have been feeling about this format this year, and there will be some freedom to continue to incorporate some of that "look and feel" into our collective style. If not, then that part of my evolution will have to slow down a bit...for now...

A Real Weekend

by Monday, August 20, 2007


So last week I had my physical therapy and chiropractor appointments. The PT really made me sore as hell--thighs and abs. Abs are still feeling it today from last Thursday, that's how sore. It was good, though. Moving. Feeling strong (or recognizing my weaknesses and resolving to strengthen them) felt good.
Saturday we had plans for brunch and the 3.1K Greenwood-Phinney Gumshoe walk with Amy and Erik. We started at The Library to fuel up, then drove up to the community center to start the walk. The walk is kind of a scavenger-hunt type stroll through the neighborhoods of Greenwood and Phinney Ridge. 3.1K isn't far, but with copious hills and my weakened state of being lately, it felt like plenty to me. The walk took us aaall over, through the residential areas, down alleys, and briefly through the shops areas. Some of the lovely gardens and funky little artsy homes were so inspiring of both motivation and guilt for my own home and garden. Loved that part. Some of the clues were interesting, others a little boring. Mostly the company was the fun part. It has inspired Chris and I--scavenger hunt lovers and long inspired by The Game. Hrm....

Saturday night was mellow. We head to Stanford's early for the tail end of early happy hour, then home to chill out.

Sunday morning Chris made breakfast, and then we almost immediately head out to see a movie. Originally we were going to see Transformers, but we were nearly 10 minutes late in getting there for it, so we opted for Stardust instead. It was really enjoyable. We both thoroughly enjoy Neil Gaiman (I am reading Neverwhere right now, which just NEEDS to be a movie, like, NOW). Afterward we hit the mall to grab some essentials, and ran into Bren and got to chat briefly and hug n hug. The mall was closing shortly, though, so it was brief. Then over to Claim Jumper to get my blue cheese iceberg wedge craving out of the way, and eat far too much food (there is NO need for an appetizer at Claim Jumper, not EVER). We rolled uncomfortably home, and settled in to a little WoW before retiring to bed and watching half of 300. Sorry, that movie bugs me immensely. If Chris hadn't been massaging my hands to keep me from shutting it off, we woulda' only made it about 1/4 of the way through before I would have insisted on stopping. The cinematography and finish-work on the film is so gratuitous, it detracts from the storytelling for me. Sorry for those of you who liked it. I could not watch the second half and be juuuus dandy.

In any case...it was a weekend of doing and being. And I am happy. My back isn't hurting, just weak and sensitive, if you will--mentally. I am still not allowed to twist or forward bend, but I feel more strong and stable and confident that I am healing fabulously. HOORAY!!

Coming to you LIVE from Northwest Hostpial

by Tuesday, July 31, 2007


I am admitted, and sitting in a very stark room in a gown that opens in the back. Yeehaw. The desk lady was mean and scowled at me when I brought in a sandwich I had bought at the comissary, expecting a long wait for admittance. They didn't give it to me in a to-go container as I expected, so I am carrying this little paper tray with a turkey sandwich in it around everywhere and I am not allowed to take a bite. Grrr
Back sucks today, too, so I am glad I am here. I had this concern that, as per usual, I would have some ailment that mysteriously went away when I went to try and see someone about it. I guess I couldn't complain if it REALLY went away, but if I had a "good day" today, decided not to come after all, and then had a "bad day" tomorrow, I would have been at the very least irritated.

I don't like the vibe here at all. Nobody makes eye contact. I had to hike around a bit to find this place, and then nobody smiled or anything when they directed me. It's so...meh here. I no likey.

The nurse was nice. And she carried my laptop bag for me. :) She will be assimilated into the new world order when we take over...

So amuse me. Who knows how long until I see a doctor. *breeze blowing up back of gown* What is everyone else doing today?

BTW, Amy and Jen suggested last night that I have a pity-party this weekend. Since I can't go to TQNW, and am feeling decidedly sorry for myself, they suggested I need to make some fun for myself. They offered mojitos and chocolate cupcakes. Mmmmmm I may just do it.

BTW, I am MissClotho on AIM, if you ever wanna chat.

EDIT: MOTHERFUCKER. I asked for Urgent Care and they apparently sent me to the Emergency Room. Nobody mentions this until they hand me a billing notice that says I will owe $100 copay today for this visit, instead of $50. I explain this to the woman handing me my sheet and she just CHUCKLED AND WALKED OUT OF THE ROOM. I AM PISSED!

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On this blog I share my personal posts about cooking and knitting, travel and other musings; while I will blog about dance-specific topics over on the Deep Roots Dance blog:
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